Enter
“Umayyad Period” into the Harvard Art Museum database and you’ll find a cup, a
small sculpture, and an encyclopedic array of coins. Enter “Abbasid Period” –
the reign of the next Islamic caliphate – and you’ll find more coins and
pottery, but also a few manuscripts. Presented above is a page from one such
manuscript. Dating back to the 9th Century, it may, in fact, be one
of the oldest Islamic manuscripts in the Harvard Art Museum’s collection.
Looking at this page one can begin
asking a number of questions. What is the ink made of? What material is this
written on? Why is the material surrounding the letters whiter than the rest of
the page? What are all those dots for, in particular the triangular array of
six dots in the lower left corner? Who wrote this?
Most interesting to me, however, is
the most obvious question: what does this text say? According to the
description provided by the Art Museum, this page contains a portion of the 16th verse of the 49th chapter (sura)
of the Quran. A simple Google search yields the following translation of this
verse: “Say, ‘Would you acquaint Allah with your religion while Allah knows
whatever is in the heavens and whatever is on the earth, and Allah is Knowing
of all things?’”
With this translation, and with some
further research, I would like to not only understand what this verse means, but
to also understand the scribe’s writing itself. I would like to be able to look at this
page and read it (from right to left) in the original Arabic. Given the
remarkably clear nature of this writing, this should be a reasonable task.
Indeed, observe the regularity of the “backwards e” appearing on the far right
side of the second, fourth, and sixth lines, and the “L” appearing on the
second, third, fifth, and sixth lines. The scribe provides us with a
mechanically precise, flourish-free transcription of this verse. His text is
inviting to newcomers, such as myself.

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